Workshops
Participatory workshops and interdisciplinary formats centered around improvisation, listening, embodiment and collective creation.
These gatherings create temporary spaces for experimentation, reflection, play and shared artistic processes across different communities, educational contexts and cultural environments.
We welcome new members
We welcome new members
New Workshop
Soundground is an open improvised music and listening workshop for anyone curious about sound, creativity, presence and collective experimentation.
Musicians and non musicians, artists or not, are welcome to join a supportive space for listening, voice, movement, improvisation, games, field recordings and shared exploration.
No previous musical experience is needed.
A new cycle is now open for new members.
Writing Cycle
flinta* and friends
ART Philosophy POETRY
A collective space for reading, writing, listening, and sharing texts in an open and non-hierarchical environment. The circle moves between poetry, queer and feminist writing, experimental literature, reflective practices, fragmented narratives, collective discussion, and creative exercises that emerge through the group itself.
Musicking
Musicking is a Berlin-based collective founded by Vesti Gium in 2023, exploring collective improvisation, interdisciplinary performance, and participatory artistic encounters through sound, movement, voice, and experimental co-creation.
Piano/keyboards
Not based on rigid methods or virtuosity-driven learning, these sessions approach the piano and keyboard as spaces for exploration, listening, expression, composition, improvisation, and personal musical language.
Lessons are adapted to each person’s background and interests — from complete beginners to musicians, artists, singers, producers, performers, or curious non-professionals.
The practice may include:
-
piano and keyboard technique
-
improvisation
-
harmonic understanding
-
songwriting
-
experimental approaches
-
ear training
-
rhythm and embodiment
-
sound exploration
-
extended techniques
-
music technology and effects
-
composition through play and listening
The aim is not only to “learn an instrument,” but to develop a living relationship with sound, creativity, attention, and musical presence.
Both acoustic and electronic instruments can be used, including synthesizers, pedals, prepared piano techniques, and interdisciplinary practices connected to movement, image, text, or performance.
DIY electronics music
Experimental explorations of sound, vibration, tactility, wearable media, and handmade electronic systems for expanded listening practices. Starting from zero you gonna learn-by-doing within a creative and supprotive community.
Creative & Academic Mentoring
Creative and academic mentoring for artists, students, researchers, cultural workers, and interdisciplinary practitioners navigating artistic processes, studies, writing, applications, or long-term projects.
The sessions combine structural support with critical reflection and creative dialogue. Depending on the needs of each person, mentoring may involve:
-
artistic research
-
thesis and academic writing
-
portfolio and website development
-
funding applications and project proposals
-
workshop design
-
conceptual development
-
interdisciplinary methodologies
-
facilitation practices
-
reflective and autoethnographic writing
-
creative blocks and process navigation
-
presentation and communication of artistic work
The approach is relational, process-oriented, and adapted to different rhythms, backgrounds, and ways of thinking.
Rather than offering fixed formulas, the sessions create space for clarity, experimentation, criticality, and sustainable creative development.
 |
|---|
 |
 |
 |
 |
Soundground 2026
Soundground is an ongoing series of participatory workshops and collective gatherings centered around listening, improvisation, voice, embodiment, sound ecology, and relational music-making.
The project brings together musicians, non-musicians, performers, educators, artists, and curious participants in temporary spaces of collective exploration where sound becomes a way of encountering oneself, others, and the surrounding environment.
Moving between workshop, rehearsal, laboratory, and social gathering, Soundground explores:
-
collective improvisation
-
deep and ecological listening
-
voice and body practices
-
soundwalks
-
experimental music-making
-
intuitive composition
-
games and scores
-
interaction between sound, movement, image, and space
-
participation beyond musical training
Each iteration develops differently depending on the participants, context, and environment.
Soundground 2026 expands toward more site-specific, interdisciplinary, and community-oriented forms, connecting artistic practice with accessibility, ecology, collectivity, and public space.
Writing/reading Circle- FLINTA*
A collective space for reading, writing, listening, and sharing texts in an open and non-hierarchical environment. The circle moves between poetry, queer and feminist writing, experimental literature, reflective practices, fragmented narratives, collective discussion, and creative exercises that emerge through the group itself.
Rather than focusing on literary perfection or academic analysis, the sessions approach language as a space of experimentation, encounter, vulnerability, memory, and transformation. Reading and writing become ways of paying attention: to oneself, to others, to the body, to voice, to silence, and to the social realities surrounding us.
The gatherings may include collective reading aloud, intuitive and automatic writing, performative or fragmented texts, listening-based prompts, collaborative exercises, discussion, and moments where text intersects with sound, movement, or improvisation.
The specific circle is Flinta* only. No previous writing or academic experience is necessary: only curiosity, openness, and a willingness to participate collectively.
Soundground- Listening workshop 2025
A workshop dedicated to listening as an artistic, relational, and embodied practice.
Through collective exercises, improvisation, silence, movement, sound exploration, and attention to the surrounding environment, participants are invited to experience listening not only as hearing, but as a way of relating, perceiving, and being present.
The workshop may include:
-
deep listening practices
-
acoustic observation
-
collective improvisation
-
voice and breath work
-
sound mapping
-
graphic and verbal scores
-
environmental listening
-
playful sonic interaction
-
reflective discussion
No previous musical experience is required.
The space is open to people from different artistic and non-artistic backgrounds who are interested in sound, perception, collectivity, experimentation, and alternative ways of experiencing music and communication.
The Flinta* Choir - soundground
A participatory vocal space centered around collective singing, improvisation, listening, experimentation, and queer-feminist forms of gathering.
The choir welcomes FLINTA* participants and remains open to allies who approach the space with care, respect, and awareness.
Rather than focusing on perfection or formal choral discipline, the project explores the voice as:
-
collective presence
-
emotional expression
-
resonance
-
play
-
memory
-
political and social encounter
-
coexistence
Practices may include:
-
polyphonic improvisation
-
experimental choir techniques
-
vocal games
-
spoken voice and text
-
sound and movement
-
intuitive harmonization
-
collective composition
-
listening exercises
The space values accessibility, participation, vulnerability, multiplicity, and non-hierarchical musical interaction.
No formal musical training is necessary.
Feel free to ask anything
here
Contact Us
Feel free to ask anything through the form
Address
Near Kaiserin Augusta Station U6,
12099
ask for more infos
Contact
+30 6942597322
