Projects

A collaborative improvisation project developed between Berlin and Leipzig through experimental sound practices, collective composition and interdisciplinary live performance. Funded by Rabee Ismail. 

Somaklang in conjunction with PAS present an evening of improvised immersion where movement art and sound art meet; ‘splay is a time and place for adventure music. Curated by Thomas Mayer and Vinyl Dinosaur
 

Participatory workshops inspired by collective improvisation, relational listening and the social dimensions of making sound together. Funded and facilitated by Vesti Gium

Collective improvisation workshops exploring listening, voice, sound, movement, objects and collaborative composition through non-hierarchical and participatory approaches.

An interdisciplinary participatory series of performances exploring transformation, embodiment, collective imagination and the emergence of temporary artistic worlds through sound, movement, voice, performance and improvisation. All begin from a text written by Danae Nagel

This is your Project description. Click on "Edit Text" or double click on the text box to start.

Rooted in artistic research and collective free improvisation, this practice approaches music education not as the transmission of fixed knowledge, but as a shared space of listening, experimentation, vulnerability, and co-presence.

Influenced by participatory pedagogy, sound studies, and improvisational practices, the work focuses on how collective sound-making can open temporary spaces for attention, negotiation, trust, uncertainty, and embodied communication.

Rather than separating performer from listener, educator from participant, or process from artwork, these approaches emerge through relational experiences where sound becomes a way of sensing and composing together.

Workshops and educational environments are approached as living ecosystems: spaces where improvisation, dialogue, movement, silence, play, and collective listening continuously reshape the dynamics between bodies, space, and perception.

An ongoing exploration of handmade electronic instruments, experimental sound objects, contact microphones, modular processes and accessible approaches to DIY sonic experimentation.

A participatory sound and listening project centered around public space, ecology, collective presence and the idea of “home” as a process of becoming through relation, memory and encounter.

Live visual environments created through overhead projectors, liquids, pigments, textures, light and handmade analogue techniques functioning as performative and immersive visual compositions.