About Me

I work with sound, improvisation, analogue visuals and collective interdisciplinary gatherings.

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Often this begins with small things:
a piano left open,
a voice hesitating,
contact microphones,
objects on the floor,
analogue projections,
homemade electronic instruments,
fragments of text,
feedback,
breath,
silence.

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My practice moves between performance, facilitation and collective experimentation. I am interested in what happens when listening becomes a shared condition rather than an individual act, when uncertainty, attention and play begin to shape the space itself.

Through workshops, performances and temporary gatherings, I create environments where sound, movement, image and participation remain unstable and porous. Things are composed collectively, transformed in real time and allowed to remain unfinished.

My background in music education, free collective improvisation and therapeutic approaches continues to influence the way I work: through care, embodiment, non-hierarchical processes and the possibility of relation through sound.

I move between piano, live electronics, DIY instruments, participatory performance, analogue visuals and experimental pedagogies, searching for forms that feel less fixed, less controlled and more alive.